Saturday, September 9
Intermediate Baroque Dance
Ken Pierce, Instructor
Ongoing class for students who are familiar with basic baroque dance steps: pas de bourrée, coupé, pas grave, contretemps, assemblé, pas de sissone, jeté, balancé. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing.
12:30-2pm - Integrarte, 85 Seaverns Avenue, Boston, MA
$17 per class. A 10-class card is available for $150.
Registration and details at http://www.integrarteusa.com/baroque
Ken Pierce, Instructor
Ongoing class for students who are familiar with basic baroque dance steps: pas de bourrée, coupé, pas grave, contretemps, assemblé, pas de sissone, jeté, balancé. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing.
12:30-2pm - Integrarte, 85 Seaverns Avenue, Boston, MA
$17 per class. A 10-class card is available for $150.
Registration and details at http://www.integrarteusa.com/baroque
Sunday, September 10
West Gallery Music Workshop
Bruce Randall, leader
Do you harbour a secret belief that a lot of Handel would sound great when sung like a pub tune? Do you think the church choir would be more fun if you could play along with your fiddle? Find out what the English were doing while we were evolving the Shape Note tradition, and hear what Thomas Hardy’s characters, or Jane Austen and her preacher father, heard on a Sunday morning! Please join us at this month's West Gallery Music workshop. West Gallery music is suitable for all voices, and also most melodic instruments (bowed strings, woodwinds, concertinas, trombones, &c.). Music booklets will be provided.
This will be the first meeting of our Nineteenth Season; subsequent meetings will be held monthly at the same time and place.
2-5pm - Newton Highland Congregational Church, 54 Lincoln St. Newton, MA
FREE; there will be an opportunity to make a donation to help defray the expenses.
https://blog.laymusic.org/groups/west-gallery-quire/
Bruce Randall, leader
Do you harbour a secret belief that a lot of Handel would sound great when sung like a pub tune? Do you think the church choir would be more fun if you could play along with your fiddle? Find out what the English were doing while we were evolving the Shape Note tradition, and hear what Thomas Hardy’s characters, or Jane Austen and her preacher father, heard on a Sunday morning! Please join us at this month's West Gallery Music workshop. West Gallery music is suitable for all voices, and also most melodic instruments (bowed strings, woodwinds, concertinas, trombones, &c.). Music booklets will be provided.
This will be the first meeting of our Nineteenth Season; subsequent meetings will be held monthly at the same time and place.
2-5pm - Newton Highland Congregational Church, 54 Lincoln St. Newton, MA
FREE; there will be an opportunity to make a donation to help defray the expenses.
https://blog.laymusic.org/groups/west-gallery-quire/
Faculty Recital
Eva Legêne and Astrid Andersson, recorders; and Simon's Rock Faculty Anne Legêne, viola da gamba and Larry Wallach, harpsichord
French and German baroque chamber music featuring works by Couperin, Marais, Telemann, Blavet, and Roget.
3pm - Kellogg Music Center, Bard College at Simon's Rock, 84 Alford Rd. Great Barrington, MA
Free and open to the public.
https://simons-rock.edu/events/index.php?eID=4866
Eva Legêne and Astrid Andersson, recorders; and Simon's Rock Faculty Anne Legêne, viola da gamba and Larry Wallach, harpsichord
French and German baroque chamber music featuring works by Couperin, Marais, Telemann, Blavet, and Roget.
3pm - Kellogg Music Center, Bard College at Simon's Rock, 84 Alford Rd. Great Barrington, MA
Free and open to the public.
https://simons-rock.edu/events/index.php?eID=4866
Battle of Vienna
Electric Earth Concerts Presents: ACRONYM Baroque String Band
Works by two great 17th century composers, Heinrich Biber and Johann Schmelzer along with modern premieres of long forgotten music make up ACRONYM’s typically fascinating and resourceful program. It concludes with two famous works of “battle” music from the Viennese baroque.
4pm - Jaffrey Center Meetinghouse, 38 Blackberry Ln, Jaffrey, NH
Admission for all concerts: $25. Middle & High School students admitted free. Bring one along!
http://electricearthconcerts.org
Electric Earth Concerts Presents: ACRONYM Baroque String Band
Works by two great 17th century composers, Heinrich Biber and Johann Schmelzer along with modern premieres of long forgotten music make up ACRONYM’s typically fascinating and resourceful program. It concludes with two famous works of “battle” music from the Viennese baroque.
4pm - Jaffrey Center Meetinghouse, 38 Blackberry Ln, Jaffrey, NH
Admission for all concerts: $25. Middle & High School students admitted free. Bring one along!
http://electricearthconcerts.org
Wednesday, September 13
Setting the Sonetti Spirituali: Words of Colonna, Music of Vinci
Nota Bene: Joanna Blendulf, Wendy Gillespie, Julie Jeffrey, Sarah Mead, Emily Walhout, viols; with Anney Barrett, Michael Barrett, Steven Hrycelak, Jason McStoots, Alex Nishibun, voices
Nota Bene presents selections from their upcoming September 16 concert in a bright, informal setting. Light lunch to follow.
12pm - Mandel Center for the Humanities, Brandeis University, Waltham, MA
FREE
Nota Bene: Joanna Blendulf, Wendy Gillespie, Julie Jeffrey, Sarah Mead, Emily Walhout, viols; with Anney Barrett, Michael Barrett, Steven Hrycelak, Jason McStoots, Alex Nishibun, voices
Nota Bene presents selections from their upcoming September 16 concert in a bright, informal setting. Light lunch to follow.
12pm - Mandel Center for the Humanities, Brandeis University, Waltham, MA
FREE
Baroque Dance Basics
Ken Pierce, Instructor
Class for students with little or no experience with baroque dance, and for those who wish to work in a focused manner on basic step vocabulary. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing. Four-class session running Sept 13, 20, 27, Oct 4.
7-8:30pm - Integrarte, 85 Seaverns Avenue, Boston, MA
4-class fee $55 or drop-in fee $17 per class
Registration and details at http://www.integrarteusa.com/baroque
Ken Pierce, Instructor
Class for students with little or no experience with baroque dance, and for those who wish to work in a focused manner on basic step vocabulary. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing. Four-class session running Sept 13, 20, 27, Oct 4.
7-8:30pm - Integrarte, 85 Seaverns Avenue, Boston, MA
4-class fee $55 or drop-in fee $17 per class
Registration and details at http://www.integrarteusa.com/baroque
Friday, September 15
Maurizio, Marco, Dario and More Madness for Two Violins
Yi-Li Chang & Emily Hale (baroque violins) Hideki Yamaya (theorbo/baroque guitar) and Christine Gevert (organ)
Wild and whimsical music from 17th century Italy for violins and continuo by Merula, Rosenmüller, Frescobaldi, Cazzati, Castello and Uccellini.
6pm - Trinity Church Lime Rock, Lakeville, CT
Free Admission, Suggested Donation
Yi-Li Chang & Emily Hale (baroque violins) Hideki Yamaya (theorbo/baroque guitar) and Christine Gevert (organ)
Wild and whimsical music from 17th century Italy for violins and continuo by Merula, Rosenmüller, Frescobaldi, Cazzati, Castello and Uccellini.
6pm - Trinity Church Lime Rock, Lakeville, CT
Free Admission, Suggested Donation
Sonetti at Sunset
Nota Bene: Joanna Blendulf, Wendy Gillespie, Julie Jeffrey, Sarah Mead, Emily Walhout, viols; with Anney Barrett, Michael Barrett, Steven Hrycelak, Jason McStoots, Alex Nishibun, voices
Nota Bene offers sacred madrigals for voices & viols in a meditative candle-lit space. Guests are encouraged to bring pillows and/or yoga mats.
7pm - Harlan Chapel, Brandeis University, Waltham, MA
FREE
Nota Bene: Joanna Blendulf, Wendy Gillespie, Julie Jeffrey, Sarah Mead, Emily Walhout, viols; with Anney Barrett, Michael Barrett, Steven Hrycelak, Jason McStoots, Alex Nishibun, voices
Nota Bene offers sacred madrigals for voices & viols in a meditative candle-lit space. Guests are encouraged to bring pillows and/or yoga mats.
7pm - Harlan Chapel, Brandeis University, Waltham, MA
FREE
Luther’s Deutsche Messe
Ensemble Origo (Eric Rice, director) Megan Chartrand, Sarah Moyer, soprano; Mary Gerbi, Clifton Massey, alto; Paul D’Arcy, James Williamson, tenor; Elijah Blaisdell, Paul Max Tipton, bass
Ensemble Origo applies its "chiffony sound" (The New York Times) to the Lutheran tradition in honor of the 500th anniversary of the Protestant Reformation. Martin Luther advocated the use of the vernacular in the liturgy, but he did not make radical changes at first. This hypothetical reconstruction of a “Deutsche Messe” ca. 1530 contains Latin mass music by Josquin des Prez (Missa de beata Virgine) as well as vernacular settings of early German chorales by Luther’s colleague Johann Walther. Unlike some of his reformer contemporaries, Luther loved complex polyphony as well as the plainchant tradition, and he aimed to strike an appropriate balance between participation of the non-musical laity and performing music of a quality befitting worship. There will be a pre-concert talk starting 30 minutes before the performance.
8pm - Gordon Chapel, Old South Church, 645 Boylston St., Boston
$25 Regular Admission; $10 Student/Low Income.
www.ensembleorigo.org
Ensemble Origo (Eric Rice, director) Megan Chartrand, Sarah Moyer, soprano; Mary Gerbi, Clifton Massey, alto; Paul D’Arcy, James Williamson, tenor; Elijah Blaisdell, Paul Max Tipton, bass
Ensemble Origo applies its "chiffony sound" (The New York Times) to the Lutheran tradition in honor of the 500th anniversary of the Protestant Reformation. Martin Luther advocated the use of the vernacular in the liturgy, but he did not make radical changes at first. This hypothetical reconstruction of a “Deutsche Messe” ca. 1530 contains Latin mass music by Josquin des Prez (Missa de beata Virgine) as well as vernacular settings of early German chorales by Luther’s colleague Johann Walther. Unlike some of his reformer contemporaries, Luther loved complex polyphony as well as the plainchant tradition, and he aimed to strike an appropriate balance between participation of the non-musical laity and performing music of a quality befitting worship. There will be a pre-concert talk starting 30 minutes before the performance.
8pm - Gordon Chapel, Old South Church, 645 Boylston St., Boston
$25 Regular Admission; $10 Student/Low Income.
www.ensembleorigo.org
Saturday, September 16
Intermediate Baroque Dance
Ken Pierce, Instructor
Ongoing class for students who are familiar with basic baroque dance steps: pas de bourrée, coupé, pas grave, contretemps, assemblé, pas de sissone, jeté, balancé. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing.
12:30-2pm - Integrarte, 85 Seaverns Avenue, Boston, MA
$17 per class. A 10-class card is available for $150.
Registration and details at http://www.integrarteusa.com/baroque
Ken Pierce, Instructor
Ongoing class for students who are familiar with basic baroque dance steps: pas de bourrée, coupé, pas grave, contretemps, assemblé, pas de sissone, jeté, balancé. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing.
12:30-2pm - Integrarte, 85 Seaverns Avenue, Boston, MA
$17 per class. A 10-class card is available for $150.
Registration and details at http://www.integrarteusa.com/baroque
Maurizio, Marco, Dario and More Madness for Two Violins
Yi-Li Chang & Emily Hale (baroque violins) Hideki Yamaya (theorbo/baroque guitar) and Christine Gevert (organ)
Wild and whimsical music from 17th century Italy for violins and continuo by Merula, Rosenmüller, Frescobaldi, Cazzati, Castello and Uccellini.
4pm - Beacon Hill Friends House, 6 Chestnut St., Boston, MA
Free Admission, Suggested Donation
Yi-Li Chang & Emily Hale (baroque violins) Hideki Yamaya (theorbo/baroque guitar) and Christine Gevert (organ)
Wild and whimsical music from 17th century Italy for violins and continuo by Merula, Rosenmüller, Frescobaldi, Cazzati, Castello and Uccellini.
4pm - Beacon Hill Friends House, 6 Chestnut St., Boston, MA
Free Admission, Suggested Donation
Sonetti Spirituali: Sacred Madrigals of Pietro Vinci
Nota Bene: Joanna Blendulf, Wendy Gillespie, Sarah Mead, Emily Walhout with guest Julie Jeffrey, viols; Anney Barrett, Alex Nishibun, Jason McStoots, Michael Barrett, Steven Hrycelak, voices
Nota Bene and Friends at Brandeis, featuring settings of 14 sonnets of Vittoria Colonna by madrigalist Pietro Vinci, performed on five Renaissance viols with five singers. The performance will include artworks by Michelangelo (dearest friend of Colonna) and readings from Colonna's poetry by members of the Brandeis Theater Department.
8pm - Slosberg Recital Hall, Brandeis University, Waltham, MA
FREE
http://www.brandeis.edu/arts/concerts/schedule/index.html
Nota Bene: Joanna Blendulf, Wendy Gillespie, Sarah Mead, Emily Walhout with guest Julie Jeffrey, viols; Anney Barrett, Alex Nishibun, Jason McStoots, Michael Barrett, Steven Hrycelak, voices
Nota Bene and Friends at Brandeis, featuring settings of 14 sonnets of Vittoria Colonna by madrigalist Pietro Vinci, performed on five Renaissance viols with five singers. The performance will include artworks by Michelangelo (dearest friend of Colonna) and readings from Colonna's poetry by members of the Brandeis Theater Department.
8pm - Slosberg Recital Hall, Brandeis University, Waltham, MA
FREE
http://www.brandeis.edu/arts/concerts/schedule/index.html
Luther’s Deutsche Messe
Ensemble Origo (Eric Rice, director) Megan Chartrand, Sarah Moyer, soprano; Mary Gerbi, Clifton Massey, alto; Paul D’Arcy, James Williamson, tenor; Elijah Blaisdell, Paul Max Tipton, bass
Ensemble Origo applies its "chiffony sound" (The New York Times) to the Lutheran tradition in honor of the 500th anniversary of the Protestant Reformation. Martin Luther advocated the use of the vernacular in the liturgy, but he did not make radical changes at first. This hypothetical reconstruction of a “Deutsche Messe” ca. 1530 contains Latin mass music by Josquin des Prez (Missa de beata Virgine) as well as vernacular settings of early German chorales by Luther’s colleague Johann Walther. Unlike some of his reformer contemporaries, Luther loved complex polyphony as well as the plainchant tradition, and he aimed to strike an appropriate balance between participation of the non-musical laity and performing music of a quality befitting worship. There will be a pre-concert talk starting 30 minutes before the performance. There will be a pre-concert talk starting 30 minutes before the performance.
8pm - Evangelical Lutheran Church of the Holy Trinity, 3 W. 65th St., New York
Tickets: $25 Regular Admission; $10 Student/Low Income. Trinity students admitted free
www.ensembleorigo.org
Ensemble Origo (Eric Rice, director) Megan Chartrand, Sarah Moyer, soprano; Mary Gerbi, Clifton Massey, alto; Paul D’Arcy, James Williamson, tenor; Elijah Blaisdell, Paul Max Tipton, bass
Ensemble Origo applies its "chiffony sound" (The New York Times) to the Lutheran tradition in honor of the 500th anniversary of the Protestant Reformation. Martin Luther advocated the use of the vernacular in the liturgy, but he did not make radical changes at first. This hypothetical reconstruction of a “Deutsche Messe” ca. 1530 contains Latin mass music by Josquin des Prez (Missa de beata Virgine) as well as vernacular settings of early German chorales by Luther’s colleague Johann Walther. Unlike some of his reformer contemporaries, Luther loved complex polyphony as well as the plainchant tradition, and he aimed to strike an appropriate balance between participation of the non-musical laity and performing music of a quality befitting worship. There will be a pre-concert talk starting 30 minutes before the performance. There will be a pre-concert talk starting 30 minutes before the performance.
8pm - Evangelical Lutheran Church of the Holy Trinity, 3 W. 65th St., New York
Tickets: $25 Regular Admission; $10 Student/Low Income. Trinity students admitted free
www.ensembleorigo.org
Sunday, September 17
Tufts Faculty Recital: Bach in the Library at Midnight
Frances Conover Fitch, harpsichord
A portrait of the young harpsichordist, Johann Sebastian Bach, featuring his own early masterpieces and the contents of the family manuscripts used by his older brother, his only keyboard teacher. The old story of Bach copying manuscripts of Reinken, Froberger, Böhm, etc. by moonlight forms the basis of the program.
3pm - Distler Hall, Granoff Music Center, 20 Talbot Street, Medford, MA
FREE
http://as.tufts.edu/music/musiccenter/events/calendar.htm
Frances Conover Fitch, harpsichord
A portrait of the young harpsichordist, Johann Sebastian Bach, featuring his own early masterpieces and the contents of the family manuscripts used by his older brother, his only keyboard teacher. The old story of Bach copying manuscripts of Reinken, Froberger, Böhm, etc. by moonlight forms the basis of the program.
3pm - Distler Hall, Granoff Music Center, 20 Talbot Street, Medford, MA
FREE
http://as.tufts.edu/music/musiccenter/events/calendar.htm
Luther’s Deutsche Messe
Ensemble Origo (Eric Rice, director) Megan Chartrand, Sarah Moyer, soprano; Mary Gerbi, Clifton Massey, alto; Paul D’Arcy, James Williamson, tenor; Elijah Blaisdell, Paul Max Tipton, bass
Ensemble Origo applies its "chiffony sound" (The New York Times) to the Lutheran tradition in honor of the 500th anniversary of the Protestant Reformation. Martin Luther advocated the use of the vernacular in the liturgy, but he did not make radical changes at first. This hypothetical reconstruction of a “Deutsche Messe” ca. 1530 contains Latin mass music by Josquin des Prez (Missa de beata Virgine) as well as vernacular settings of early German chorales by Luther’s colleague Johann Walther. Unlike some of his reformer contemporaries, Luther loved complex polyphony as well as the plainchant tradition, and he aimed to strike an appropriate balance between participation of the non-musical laity and performing music of a quality befitting worship. There will be a pre-concert talk starting 30 minutes before the performance.There will be a pre-concert talk starting 30 minutes before the performance.
5pm - Trinity College Chapel, 300 Summit St., Hartford, CT
Tickets: $25 Regular Admission; $10 Student/Low Income. UConn students admitted free
www.ensembleorigo.org
Ensemble Origo (Eric Rice, director) Megan Chartrand, Sarah Moyer, soprano; Mary Gerbi, Clifton Massey, alto; Paul D’Arcy, James Williamson, tenor; Elijah Blaisdell, Paul Max Tipton, bass
Ensemble Origo applies its "chiffony sound" (The New York Times) to the Lutheran tradition in honor of the 500th anniversary of the Protestant Reformation. Martin Luther advocated the use of the vernacular in the liturgy, but he did not make radical changes at first. This hypothetical reconstruction of a “Deutsche Messe” ca. 1530 contains Latin mass music by Josquin des Prez (Missa de beata Virgine) as well as vernacular settings of early German chorales by Luther’s colleague Johann Walther. Unlike some of his reformer contemporaries, Luther loved complex polyphony as well as the plainchant tradition, and he aimed to strike an appropriate balance between participation of the non-musical laity and performing music of a quality befitting worship. There will be a pre-concert talk starting 30 minutes before the performance.There will be a pre-concert talk starting 30 minutes before the performance.
5pm - Trinity College Chapel, 300 Summit St., Hartford, CT
Tickets: $25 Regular Admission; $10 Student/Low Income. UConn students admitted free
www.ensembleorigo.org
Choral Evensong with the King's Chapel Choir
Works of Gibbons, Ayleward, and Rheinberger preceded by an organ recital by Heinrich Christensen featuring works of Buxtehude & Gade. Recital at 4:30pm; Choral Evensong at 5pm.
4:30pm - King's Chapel 58 Tremont Street, Boston, MA. Doors open at 4pm. Validated discount parking available at One Beacon Garage, across the street from the Chapel. King's Chapel is wheelchair accessible.
FREE
617-227-2155 or www.kings-chapel.org/concert-series.html
Works of Gibbons, Ayleward, and Rheinberger preceded by an organ recital by Heinrich Christensen featuring works of Buxtehude & Gade. Recital at 4:30pm; Choral Evensong at 5pm.
4:30pm - King's Chapel 58 Tremont Street, Boston, MA. Doors open at 4pm. Validated discount parking available at One Beacon Garage, across the street from the Chapel. King's Chapel is wheelchair accessible.
FREE
617-227-2155 or www.kings-chapel.org/concert-series.html
Wednesday, September 20
Baroque Dance Basics
Ken Pierce, Instructor
Class for students with little or no experience with baroque dance, and for those who wish to work in a focused manner on basic step vocabulary. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing. Four-class session running Sept 13, 20, 27, Oct 4.
7-8:30pm - Integrarte, 85 Seaverns Avenue, Boston, MA
4-class fee $55 or drop-in fee $17 per class
Registration and details at http://www.integrarteusa.com/baroque
Ken Pierce, Instructor
Class for students with little or no experience with baroque dance, and for those who wish to work in a focused manner on basic step vocabulary. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing. Four-class session running Sept 13, 20, 27, Oct 4.
7-8:30pm - Integrarte, 85 Seaverns Avenue, Boston, MA
4-class fee $55 or drop-in fee $17 per class
Registration and details at http://www.integrarteusa.com/baroque
Friday, September 22
Choral Evensong
Yale Schola Cantorum (David Hill, conductor)
Music of Howells, Byrd, Olson, Lukaszewski, and Victoria
5pm - Christ Church New Haven, 84 Broadway, New Haven, CT
FREE
http://ism.yale.edu/calendar
Yale Schola Cantorum (David Hill, conductor)
Music of Howells, Byrd, Olson, Lukaszewski, and Victoria
5pm - Christ Church New Haven, 84 Broadway, New Haven, CT
FREE
http://ism.yale.edu/calendar
Flautissimo!
Les Bostonades: Sarah Moyer, soprano; Héloïse Degrugillier, recorder/traverso; Guy Fishman, cello; Akiko Sato, harpsichord
The first concert of Les Bostonades’ 2017–2018 season features sonatas for the recorder and the traverse flute, known respectively as the flauto dolce and the flauto traverso in Italian, by several masters of the same generation — Georg Philipp Telemann, Michel Blavet, and Joseph Bodin de Boismortier. Also on the program are a cello sonata and two cantatas for soprano, flute/recorder, and continuo by George Frideric Handel and Antonio Vivaldi. Core members of Les Bostonades will be joined by special guests Sarah Moyer, soprano, and Guy Fishman, cello.
7:30pm - Gordon Chapel, Old South Church, 645 Boylston Street, Boston, MA
$25 general/ $20 senior/ $10 student
www.bostonades.org
Les Bostonades: Sarah Moyer, soprano; Héloïse Degrugillier, recorder/traverso; Guy Fishman, cello; Akiko Sato, harpsichord
The first concert of Les Bostonades’ 2017–2018 season features sonatas for the recorder and the traverse flute, known respectively as the flauto dolce and the flauto traverso in Italian, by several masters of the same generation — Georg Philipp Telemann, Michel Blavet, and Joseph Bodin de Boismortier. Also on the program are a cello sonata and two cantatas for soprano, flute/recorder, and continuo by George Frideric Handel and Antonio Vivaldi. Core members of Les Bostonades will be joined by special guests Sarah Moyer, soprano, and Guy Fishman, cello.
7:30pm - Gordon Chapel, Old South Church, 645 Boylston Street, Boston, MA
$25 general/ $20 senior/ $10 student
www.bostonades.org
Sunday, September 24
Solemn High Mass
The Choir of the Church of the Advent
Sowerby: Pageant of Autumn
Victoria: Missa “Simile est regnum cœlorum”
Matthew Martin: Laudate Dominum
Guerrero: Simile est regnum cœlorum
Ernest MacMillan: Cortège Académique
11:15am - The Church of the Advent, 30 Brimmer St., Boston, MA
Free! For more information: http://www.theadventboston.org
The Choir of the Church of the Advent
Sowerby: Pageant of Autumn
Victoria: Missa “Simile est regnum cœlorum”
Matthew Martin: Laudate Dominum
Guerrero: Simile est regnum cœlorum
Ernest MacMillan: Cortège Académique
11:15am - The Church of the Advent, 30 Brimmer St., Boston, MA
Free! For more information: http://www.theadventboston.org
Wednesday, September 27
Baroque Dance Basics
Ken Pierce, Instructor
Class for students with little or no experience with baroque dance, and for those who wish to work in a focused manner on basic step vocabulary. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing. Four-class session running Sept 13, 20, 27, Oct 4.
7-8:30pm - Integrarte, 85 Seaverns Avenue, Boston, MA
4-class fee $55 or drop-in fee $17 per class
Registration and details at http://www.integrarteusa.com/baroque
Ken Pierce, Instructor
Class for students with little or no experience with baroque dance, and for those who wish to work in a focused manner on basic step vocabulary. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing. Four-class session running Sept 13, 20, 27, Oct 4.
7-8:30pm - Integrarte, 85 Seaverns Avenue, Boston, MA
4-class fee $55 or drop-in fee $17 per class
Registration and details at http://www.integrarteusa.com/baroque
Friday, September 29
The Feast of St. Michael and All Angels
The Choir of the Church of the Advent
Sowerby: Pageant of Autumn
Briggs: Truro Eucharist
de Monte: Factum est silentium
Handl: Duo seraphim
Wyton: Fanfare
6:30pm - The Church of the Advent, 30 Brimmer St., Boston, MA
Free! For more information: http://www.theadventboston.org
The Choir of the Church of the Advent
Sowerby: Pageant of Autumn
Briggs: Truro Eucharist
de Monte: Factum est silentium
Handl: Duo seraphim
Wyton: Fanfare
6:30pm - The Church of the Advent, 30 Brimmer St., Boston, MA
Free! For more information: http://www.theadventboston.org
Pioneer Valley Early Music Day Kick-off Concert
Ensemble Musica Humana: Lidia Chang, flute; Laura Osterlund, recorder, Corrine Byrne, soprano; with Alicia DePaolo, soprano, Gene Stenger, tenor, Elijah Blaisdell, baritone, Dylan Sauerwald, harpsichord, Robert Eisenstein, viola da gamba
Les Quatres Saisons by Joseph Bodin de Boismortier
7pm - Immanuel Lutheran Church, Amherst MA
http://www.ensemblemusicahumana.com/pioneer-valley-early-music-day.html
Ensemble Musica Humana: Lidia Chang, flute; Laura Osterlund, recorder, Corrine Byrne, soprano; with Alicia DePaolo, soprano, Gene Stenger, tenor, Elijah Blaisdell, baritone, Dylan Sauerwald, harpsichord, Robert Eisenstein, viola da gamba
Les Quatres Saisons by Joseph Bodin de Boismortier
7pm - Immanuel Lutheran Church, Amherst MA
http://www.ensemblemusicahumana.com/pioneer-valley-early-music-day.html
Saturday, September 30
Pioneer Valley Early Music Day
10:30am-11:30am Meravelha @ Quonquont farm in Whately, MA
11:00am-12:00pm Broadside @ Share Coffee in Amherst, MA
1:00-2:00pm Entwyned @ Brew Practitioners in Florence, MA
3:00-4:00pm Ensemble Musica Humana @ South Hadley Public Library
4:30-5:30pm Très Doulx @ Tavern on the Hill in Holyoke, MA
6:00-7:00pm Broadside @ Abandoned Building in Easthampton, MA
http://www.ensemblemusicahumana.com/pioneer-valley-early-music-day.html
10:30am-11:30am Meravelha @ Quonquont farm in Whately, MA
11:00am-12:00pm Broadside @ Share Coffee in Amherst, MA
1:00-2:00pm Entwyned @ Brew Practitioners in Florence, MA
3:00-4:00pm Ensemble Musica Humana @ South Hadley Public Library
4:30-5:30pm Très Doulx @ Tavern on the Hill in Holyoke, MA
6:00-7:00pm Broadside @ Abandoned Building in Easthampton, MA
http://www.ensemblemusicahumana.com/pioneer-valley-early-music-day.html
Intermediate Baroque Dance
Ken Pierce, Instructor
Ongoing class for students who are familiar with basic baroque dance steps: pas de bourrée, coupé, pas grave, contretemps, assemblé, pas de sissone, jeté, balancé. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing.
12:30-2pm - Integrarte, 85 Seaverns Avenue, Boston, MA
$17 per class. A 10-class card is available for $150.
Registration and details at http://www.integrarteusa.com/baroque
Ken Pierce, Instructor
Ongoing class for students who are familiar with basic baroque dance steps: pas de bourrée, coupé, pas grave, contretemps, assemblé, pas de sissone, jeté, balancé. Wear soft-soled shoes (for example, jazz shoes, dance sneakers, or t-strap teaching sandals) and comfortable dance clothing.
12:30-2pm - Integrarte, 85 Seaverns Avenue, Boston, MA
$17 per class. A 10-class card is available for $150.
Registration and details at http://www.integrarteusa.com/baroque
Lute Song Recital
Jakob Lindberg, lute; James Taylor, tenor
A recital of lute song as part of the Faculty Recital Series.
7pm - Sterling Divinity Quadrangle - Marquand Chapel, 409 Prospect Street New Haven, CT
Free
http://ism.yale.edu/calendar
Jakob Lindberg, lute; James Taylor, tenor
A recital of lute song as part of the Faculty Recital Series.
7pm - Sterling Divinity Quadrangle - Marquand Chapel, 409 Prospect Street New Haven, CT
Free
http://ism.yale.edu/calendar