Saturday, April 10
Amherst Early Music Online - New London Assembly: Selected Dances from the 11th Chestnut Costume Ball
Cécile Laye & Brad Foster, instructors
Cécile Laye and Chestnut have prepared a number of practice videos for their next Ball. This workshop will cover most of the dances in those videos and will add additional instructions. Dances presented will be selected from the historic dances Punk’s Delight, Parson’s Farewell and Staines Morris, all from the 1st edition of Playford in 1651, plus the modern dance Preston Almaine by Brian Wegbury. The workshop will include further discussion on dance steps and Cécile’s interpretations. The videos we cover are also separately available for sale from Chestnut.
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Cécile Laye & Brad Foster, instructors
Cécile Laye and Chestnut have prepared a number of practice videos for their next Ball. This workshop will cover most of the dances in those videos and will add additional instructions. Dances presented will be selected from the historic dances Punk’s Delight, Parson’s Farewell and Staines Morris, all from the 1st edition of Playford in 1651, plus the modern dance Preston Almaine by Brian Wegbury. The workshop will include further discussion on dance steps and Cécile’s interpretations. The videos we cover are also separately available for sale from Chestnut.
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Amherst Early Music Online - Renaissance Chansons for All
Bob Eisenstein, instructor
In this class we’ll play and/or sing lovely 16th-century French songs by Claudin de Sermisy, Clemens non Papa, Clement Janequin and others, including old favorites and some songs which may be new to you. Scores will be provided in advance as well as recordings of the chansons with all parts and versions with one part missing for playing and singing together virtually. Open to: singers and instrumentalists. Pitch: A=440.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Bob Eisenstein, instructor
In this class we’ll play and/or sing lovely 16th-century French songs by Claudin de Sermisy, Clemens non Papa, Clement Janequin and others, including old favorites and some songs which may be new to you. Scores will be provided in advance as well as recordings of the chansons with all parts and versions with one part missing for playing and singing together virtually. Open to: singers and instrumentalists. Pitch: A=440.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Amherst Early Music Online - Stage Beauty: Style and Substance in Baroque Opera
Ellen Hargis, instructor
In this presentation, we will take a look at how gesture and movement were used on the Baroque stage to illuminate the text and music. We will discuss how these same precepts can inform modern performances by channeling a Baroque esthetic even in modern dress and stage settings. A new Amherst Early Music Online program, the Early Music Singer’s Toolbox will include classes and lectures. The pace of the repertoire classes has experienced solo singers in mind, but we welcome all singers, voice teachers, conductors, and anyone interested in early music singing to register and learn. The lectures are free and open to all.
5-6pm EDT - online course (link sent to registrants)
FREE
https://www.amherstearlymusic.org/weekend_online_classes
Ellen Hargis, instructor
In this presentation, we will take a look at how gesture and movement were used on the Baroque stage to illuminate the text and music. We will discuss how these same precepts can inform modern performances by channeling a Baroque esthetic even in modern dress and stage settings. A new Amherst Early Music Online program, the Early Music Singer’s Toolbox will include classes and lectures. The pace of the repertoire classes has experienced solo singers in mind, but we welcome all singers, voice teachers, conductors, and anyone interested in early music singing to register and learn. The lectures are free and open to all.
5-6pm EDT - online course (link sent to registrants)
FREE
https://www.amherstearlymusic.org/weekend_online_classes
Sunday, April 11
Amherst Early Music Online - Becoming a Boss on the Bass Recorder
Rachel Begley, recorder
Do you aspire to being a brilliant bass player? Do you love playing bass but feel like something is holding you back? Do your low notes sometimes crack or fail to speak? Do you struggle with getting your high notes to sound as beautiful as the others? Do you ever wish your bass recorder playing was as good as (or better than) your playing on other recorders?
This class is designed for experienced recorder players who want to “level up” on bass, to be in full command ofthe instrument and to delight in its possibilities. We will cover: Understanding your instrument; Bass-specific technical tips and tricks; Knowing what and how to practice; The varied stylistic demands on the bass recorder player, according to the repertoire. We will put this all together in a variety of pieces: a sensuous villancico by Renaissance composer Morales for three basses, a thrilling ride with the continuo part from one of Handel’s recorder sonatas, gaining fluency and tuning skills with Bach, and a strenuous work-out courtesy of the Beatles. Geared toward: experienced bass recorder players. Pitch: A = 440.
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Rachel Begley, recorder
Do you aspire to being a brilliant bass player? Do you love playing bass but feel like something is holding you back? Do your low notes sometimes crack or fail to speak? Do you struggle with getting your high notes to sound as beautiful as the others? Do you ever wish your bass recorder playing was as good as (or better than) your playing on other recorders?
This class is designed for experienced recorder players who want to “level up” on bass, to be in full command ofthe instrument and to delight in its possibilities. We will cover: Understanding your instrument; Bass-specific technical tips and tricks; Knowing what and how to practice; The varied stylistic demands on the bass recorder player, according to the repertoire. We will put this all together in a variety of pieces: a sensuous villancico by Renaissance composer Morales for three basses, a thrilling ride with the continuo part from one of Handel’s recorder sonatas, gaining fluency and tuning skills with Bach, and a strenuous work-out courtesy of the Beatles. Geared toward: experienced bass recorder players. Pitch: A = 440.
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Amherst Early Music Online - In Nomine Part II: A Survey of the Form from Parsons to Purcell
with Ros Morley, viola da gamba
Experience how this quintessential English consort form changed across its 150 year history. Beginning with Parson's 5 part In Nomine which survives in more manuscripts than any other, the class will also examine examples by Tye, Byrd, Gibbons, Jenkins, and Lawes, and will finish with one or both of Purcell's sublime examples of the form, depending on time. This will not be a "Music-minus-one" class, rather, participants will play along with full recordings made by the teacher specially for this class. Open to: viols. Pitch: A=415.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
with Ros Morley, viola da gamba
Experience how this quintessential English consort form changed across its 150 year history. Beginning with Parson's 5 part In Nomine which survives in more manuscripts than any other, the class will also examine examples by Tye, Byrd, Gibbons, Jenkins, and Lawes, and will finish with one or both of Purcell's sublime examples of the form, depending on time. This will not be a "Music-minus-one" class, rather, participants will play along with full recordings made by the teacher specially for this class. Open to: viols. Pitch: A=415.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Saturday, April 17
Amherst Early Music Online - Making the Most of your Viol Practice Time
Heather Miller Lardin, viol
Could your viol practice routine use a brush-up? This interactive class will explore strategies for structuring your practice time and activities so that you can reach your goals efficiently, whatever they may be. We'll consider stretching and warm-ups, technique, consort and solo repertoire. Students will have the opportunity to practice in class for feedback on their approach. Open to: viols. Pitch: A=415.
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Heather Miller Lardin, viol
Could your viol practice routine use a brush-up? This interactive class will explore strategies for structuring your practice time and activities so that you can reach your goals efficiently, whatever they may be. We'll consider stretching and warm-ups, technique, consort and solo repertoire. Students will have the opportunity to practice in class for feedback on their approach. Open to: viols. Pitch: A=415.
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
VdGSNE Special Topic: Beginning Tablature for the Viol
John Mark Rozendaal, instructor
Lyra-viol music written in tablature offers the solo viol player an extensive repertoire of challenging, entertaining music by some of the best composers of the 17th century. But accessing this repertoire can be a cognitive challenge! This class is a practice session to get the “tab chops” moving; including basic technical exercises and easy ensemble music played from tab; and two solo simple solo pieces from the “Manchester” tablature. Parts will be provided for bass, tenor, and treble instruments. Pitch: A=415
3-4:30pm - online (link sent to registrants)
Fee $15. Registration required; please register by April 10 to get link and materials.
http://vdgsne.org/workshops/
John Mark Rozendaal, instructor
Lyra-viol music written in tablature offers the solo viol player an extensive repertoire of challenging, entertaining music by some of the best composers of the 17th century. But accessing this repertoire can be a cognitive challenge! This class is a practice session to get the “tab chops” moving; including basic technical exercises and easy ensemble music played from tab; and two solo simple solo pieces from the “Manchester” tablature. Parts will be provided for bass, tenor, and treble instruments. Pitch: A=415
3-4:30pm - online (link sent to registrants)
Fee $15. Registration required; please register by April 10 to get link and materials.
http://vdgsne.org/workshops/
Amherst Early Music Online - Balancing Text and Music in Purcell’s Songs
Drew Minter, instructor
At a time when Italian poets were grappling with balancing text and music in opera, Purcell stated his intention to bring the Italian style to English music. Using Purcell’s songs we will examine how singers can make the best rhetorical decisions in their singing. Open to: Part of the Early Music Singer’s Toolbox series. The pace of the repertoire classes has experienced solo singers in mind, but all singers, voice teachers, conductors, and anyone interested in early music singing are welcome to register and learn.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Drew Minter, instructor
At a time when Italian poets were grappling with balancing text and music in opera, Purcell stated his intention to bring the Italian style to English music. Using Purcell’s songs we will examine how singers can make the best rhetorical decisions in their singing. Open to: Part of the Early Music Singer’s Toolbox series. The pace of the repertoire classes has experienced solo singers in mind, but all singers, voice teachers, conductors, and anyone interested in early music singing are welcome to register and learn.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Sunday, April 18
Amherst Early Music Online - Choeur de Flustes/Concerto di Flauti: music for Baroque Recorder Ensemble from Paris and Kroměříž
Gwyn Roberts, recorder and flute
Alongside Louis XIV’s famous 24 violins and oboe band, another ensemble played: the flute choir. This ensemble of alto recorders or voice flutes on top, bass recorders in place of violas on the inner voices, and contrabass recorder or bass violin on the bottom contributed a special color to the ballets and other stage works enjoyed at
court. Meanwhile, in the Moravian town of Kroměříž, Prince Karl II von Leichtenstein Kastelcorn (1623–1695) was amassing a library of music frequently featuring recorders, trumpets, cornetti, and other winds. We’ll play music written specifically for recorder ensemble by Lully, Charpentier, and Finger, plus the newly rediscovered Anonymous Baletti à 4 Flauti from the Kroměříž collection. Geared toward: upper intermediate to advanced recorders and flutes. Pitch: A=440
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Gwyn Roberts, recorder and flute
Alongside Louis XIV’s famous 24 violins and oboe band, another ensemble played: the flute choir. This ensemble of alto recorders or voice flutes on top, bass recorders in place of violas on the inner voices, and contrabass recorder or bass violin on the bottom contributed a special color to the ballets and other stage works enjoyed at
court. Meanwhile, in the Moravian town of Kroměříž, Prince Karl II von Leichtenstein Kastelcorn (1623–1695) was amassing a library of music frequently featuring recorders, trumpets, cornetti, and other winds. We’ll play music written specifically for recorder ensemble by Lully, Charpentier, and Finger, plus the newly rediscovered Anonymous Baletti à 4 Flauti from the Kroměříž collection. Geared toward: upper intermediate to advanced recorders and flutes. Pitch: A=440
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Intermezzi in Musica 2021 (concert 4)
Elinor Frey, Baroque Cello
In the fourth installment of her web-series, Elinor Frey will play unaccompanied Bach, including the B minor violin partita on violoncello piccolo.
2:30pm EDT - Online
$10-$20 (CAD) Tickets
info@elinorfrey.com
Elinor Frey, Baroque Cello
In the fourth installment of her web-series, Elinor Frey will play unaccompanied Bach, including the B minor violin partita on violoncello piccolo.
2:30pm EDT - Online
$10-$20 (CAD) Tickets
info@elinorfrey.com
Amherst Early Music Online - Polyphonic Songs of Trecento Italy c. 1400
Rotem Gilbert, winds
We will explore Italian ballate by Francesco Landini found in the glorious Florentine Squarcialupi Codex, Johannes Ciconia’s motets from the manuscript Q15 celebrating the cities of Padua and Venice, and Zachara da Teramo’s song Ciaramella, me dolçe Ciaramella about a sweet lady whose cloths are full of holes (like a shawm) and whose voice (like a shawm) will knock you flat.
Open to: soft and loud instruments and singers. Pitch: A=440
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Rotem Gilbert, winds
We will explore Italian ballate by Francesco Landini found in the glorious Florentine Squarcialupi Codex, Johannes Ciconia’s motets from the manuscript Q15 celebrating the cities of Padua and Venice, and Zachara da Teramo’s song Ciaramella, me dolçe Ciaramella about a sweet lady whose cloths are full of holes (like a shawm) and whose voice (like a shawm) will knock you flat.
Open to: soft and loud instruments and singers. Pitch: A=440
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Monday, April 19
Housewarming—Old Music in New Digs
Guts Baroque: Sylvia Schwartz, baroque violin; John Ott, baroque cello & bass viol
Founded in southern California, with deep ties both there and in New England, duo Guts Baroque has pulled up stakes for the moment and is now broadcasting their monthly concerts from Maine! Join John and Sylvia in their new home for fresh new performances of five favorite works from the past year of making music from home: Matteis, Corelli, Jacquet de la Guerre, Francoeur, and Telemann. Video concert premiere and virtual gathering/Q&A before and after, presented via Groupmuse.
Matteis: Diverse bizzarrie Sopra la Vecchia Sarabanda ò pur Ciaccona, Corelli: Violin Sonata Op. 5 No. 7 in d, Jacquet de la Guerre: Violin Sonata No. 2 in D, Francoeur: Violin Sonata in e from Sonates à violon seul, Book I, Telemann: Violin Sonata in F, TWV 41:F4 from Essercizii Musici
8pm EDT - online for Groupmuse http://grpm.us/EgO07Q
$3/reserve spot, $10 suggested donation
info@gutsbaroque.com
Guts Baroque: Sylvia Schwartz, baroque violin; John Ott, baroque cello & bass viol
Founded in southern California, with deep ties both there and in New England, duo Guts Baroque has pulled up stakes for the moment and is now broadcasting their monthly concerts from Maine! Join John and Sylvia in their new home for fresh new performances of five favorite works from the past year of making music from home: Matteis, Corelli, Jacquet de la Guerre, Francoeur, and Telemann. Video concert premiere and virtual gathering/Q&A before and after, presented via Groupmuse.
Matteis: Diverse bizzarrie Sopra la Vecchia Sarabanda ò pur Ciaccona, Corelli: Violin Sonata Op. 5 No. 7 in d, Jacquet de la Guerre: Violin Sonata No. 2 in D, Francoeur: Violin Sonata in e from Sonates à violon seul, Book I, Telemann: Violin Sonata in F, TWV 41:F4 from Essercizii Musici
8pm EDT - online for Groupmuse http://grpm.us/EgO07Q
$3/reserve spot, $10 suggested donation
info@gutsbaroque.com
Saturday, April 24
Amherst Early Music Online - Drone Away
Judy Kadar, harp
A drone is a constant tone or tones that accompany a melody. Bagpipes and hurdy- gurdies have built-in drones but there are pieces utilizing drones in the lute, keyboard, and harp repertoire as well as occasionally in ensemble pieces. We will see how drones were used in the 16th and 17th centuries by playing works by Giorgio Mainerio (c.1530- 82), Hans Neusidler (c.1508-63), Vincenzo Galilei (c.1520-91), Thoinot Arbeau (1589), William Byrd (1543-1623), Claudio Monteverdi (1567-1643), and J. B. Besarde (1617). Perhaps our work might shed light on how drones were used in Medieval music. Students will play both melody and drone, depending on their abilities. Pitch: A=440
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Judy Kadar, harp
A drone is a constant tone or tones that accompany a melody. Bagpipes and hurdy- gurdies have built-in drones but there are pieces utilizing drones in the lute, keyboard, and harp repertoire as well as occasionally in ensemble pieces. We will see how drones were used in the 16th and 17th centuries by playing works by Giorgio Mainerio (c.1530- 82), Hans Neusidler (c.1508-63), Vincenzo Galilei (c.1520-91), Thoinot Arbeau (1589), William Byrd (1543-1623), Claudio Monteverdi (1567-1643), and J. B. Besarde (1617). Perhaps our work might shed light on how drones were used in Medieval music. Students will play both melody and drone, depending on their abilities. Pitch: A=440
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Amherst Early Music Online - Introduction to Improvisation and Embellishment
John Tyson and Miyuki Tsurutani, recorder and harpsichord
Everyone can improvise! A fun and liberating class that will let you explore new ways of making music and discover more music within you. Whether you have felt that you could never improvise or are looking for new ways to develop your improvisational skills - this is the class for you! This quick and easy method will show you how natural it can be to play melodies in different ways and to learn systems for improvising with ever more freedom. Acclaimed improvisors John and Miyuki will demonstrate and lead us through ensemble pieces in which everyone can improvise as they wish. Repertoires will include: Renaissance, Folk and Free Improvisation. Come indulge your creativity! Geared to: lower intermediate to advanced players. All melodic instruments are welcome. Pitch: A=440.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
John Tyson and Miyuki Tsurutani, recorder and harpsichord
Everyone can improvise! A fun and liberating class that will let you explore new ways of making music and discover more music within you. Whether you have felt that you could never improvise or are looking for new ways to develop your improvisational skills - this is the class for you! This quick and easy method will show you how natural it can be to play melodies in different ways and to learn systems for improvising with ever more freedom. Acclaimed improvisors John and Miyuki will demonstrate and lead us through ensemble pieces in which everyone can improvise as they wish. Repertoires will include: Renaissance, Folk and Free Improvisation. Come indulge your creativity! Geared to: lower intermediate to advanced players. All melodic instruments are welcome. Pitch: A=440.
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
C’est Magnifique!
Musicians of the Old Post Road
The fabulous, fiery French Baroque on full display! French elegance is united with Italian flair in instrumental works by star composers who enlivened the Paris musical scene, including Leclair, Telemann, and Dauvergne.
7:30pm EDT - Online
www.oldpostroad.org
$10-$320
Musicians of the Old Post Road
The fabulous, fiery French Baroque on full display! French elegance is united with Italian flair in instrumental works by star composers who enlivened the Paris musical scene, including Leclair, Telemann, and Dauvergne.
7:30pm EDT - Online
www.oldpostroad.org
$10-$320
Perpetual Night: 17th-century Ayres and Songs
Ensemble Correspondances (Sébastian Daucé, director) with Lucile Richardot, mezzo-soprano
Sébastian Daucé and Ensemble Correspondances are renowned for recordings and performances of Baroque masterpieces that merge passion and elegance. For this virtual performance, they are joined by the hauntingly expressive voice of Lucile Richardot in a showcase of English songs from the politically turbulent 17th century. Indulge in a fascinating exploration of England’s musical evolution, when continental influences and social upheaval shaped the period between Dowland and Purcell. Through May 8.
8pm - streamed on YouTube
FREE; donations gratefully accepted at https://bemf.org/support-bemf/
Ensemble Correspondances (Sébastian Daucé, director) with Lucile Richardot, mezzo-soprano
Sébastian Daucé and Ensemble Correspondances are renowned for recordings and performances of Baroque masterpieces that merge passion and elegance. For this virtual performance, they are joined by the hauntingly expressive voice of Lucile Richardot in a showcase of English songs from the politically turbulent 17th century. Indulge in a fascinating exploration of England’s musical evolution, when continental influences and social upheaval shaped the period between Dowland and Purcell. Through May 8.
8pm - streamed on YouTube
FREE; donations gratefully accepted at https://bemf.org/support-bemf/
Sunday, April 25
Amherst Early Music Online - Josquin's Fantasy Life: Instrumental music by Josquin and his Contemporaries
Mary Springfels, viol
The music for our class is taken from the Codex Casanatense 2856, a beautiful late 15th- century manuscript compiled for the use ofinstrumentalists at the d'Este court in Ferrara to honour the betrothal of Isabella d’Este, an important patron of the arts, to Francesco Gonzaga. Our composers will include Agricola, Martini, and, of course, Josquin. Open to: intermediate to upper intermediate viols. Pitch: A=415
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Mary Springfels, viol
The music for our class is taken from the Codex Casanatense 2856, a beautiful late 15th- century manuscript compiled for the use ofinstrumentalists at the d'Este court in Ferrara to honour the betrothal of Isabella d’Este, an important patron of the arts, to Francesco Gonzaga. Our composers will include Agricola, Martini, and, of course, Josquin. Open to: intermediate to upper intermediate viols. Pitch: A=415
1-2:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Amherst Early Music Online - Handeling the Pandemic
Jack Ashworth, instructor
Blow those pandemic blues away by playing selected movements from Handel sonatas, accompanied by Jack Ashworth on harpsichord with suggestions for interpretation along the way. We’ll do each movement at least twice. The class is geared toward treble instruments, but Jack will also have ideas for keyboard players about accompanying - what to play and, just as important, what not to. Open to: treble instruments; continuo players may join as well. Pitch: A=440
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Jack Ashworth, instructor
Blow those pandemic blues away by playing selected movements from Handel sonatas, accompanied by Jack Ashworth on harpsichord with suggestions for interpretation along the way. We’ll do each movement at least twice. The class is geared toward treble instruments, but Jack will also have ideas for keyboard players about accompanying - what to play and, just as important, what not to. Open to: treble instruments; continuo players may join as well. Pitch: A=440
3-4:30pm EDT - online course (link sent to registrants)
$25 per session
https://www.amherstearlymusic.org/weekend_online_classes
Music for Viols and Harpsichord
Anne Legêne, viols; Larry Wallach, harpsichord
A concert of compositions by J. S. Bach and premiers of new works by Larry Wallach. Anne Legêne performs on the tenor and bass viols, accompanied by Larry Wallach on harpsichord. The program includes Little Suite for tenor viol and harpsichord (Wallach), Partita no. 3 in A minor for harpsichord solo, and Sonata for bass vIol and harpsichord, both by Bach. The concert will be performed for a restricted live audience of Simon's Rock community members in Kellogg Music Center. It will also be live-streamed on Zoom for free public viewing.
3pm - online via Zoom. Webinar ID: 838 3890 4777
FREE
Info
Anne Legêne, viols; Larry Wallach, harpsichord
A concert of compositions by J. S. Bach and premiers of new works by Larry Wallach. Anne Legêne performs on the tenor and bass viols, accompanied by Larry Wallach on harpsichord. The program includes Little Suite for tenor viol and harpsichord (Wallach), Partita no. 3 in A minor for harpsichord solo, and Sonata for bass vIol and harpsichord, both by Bach. The concert will be performed for a restricted live audience of Simon's Rock community members in Kellogg Music Center. It will also be live-streamed on Zoom for free public viewing.
3pm - online via Zoom. Webinar ID: 838 3890 4777
FREE
Info